TO THE RESPLENDENT ISLE

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A river of red
red stream foaming
a river of release
flowing restlessly
from the mountains
choppy with pain but
flowing still.
Keep rowing boatman
keep the oars sharp
razor sharp
slash the choppy waters
of pain.
Let the boat move
forward,
take it hither
across the ocean
blue green serene waters
to the promised land.
A land where butterflies scream
in drunken happiness.
The crow sings a duet with
the bulbul,
a song so beautiful that
old man Beethoven can hear
and hum along.
People dance in step with the tune
from morning
till the end of time.
Blue roses
red sunflowers
green marigolds
smile and smile
as
Adam and Eve are locked
in warm embrace.
No look of censure
no rules
no one keeping time.
The sun shines in full glory
the sky a clear light blue
not a speck
not a blemish
of black cloud.
Trees provide shade,
leafs in hushed susurration
in the mild breeze,
as the brook flows
with crystal clear water
as fishes play and frolic
and the hyena is as tame as
the lamb.
Carry me
take me home,
I beseech you boatman
with razor sharp oars.
Pray take me to that
resplendent isle.

Dhaka
30th January 2015

© S M Shahrukh and Traces of Orange, 2015

THE DOOR

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I keep rapping on the door,
A hollow sound echoes back.
My knuckles turn red
Blood rushing to the skin
A redness at the tips
As I keep knocking.
No one opens the door
No one ever will,
She doesn’t live here anymore.

A tap on the shoulder
A specter from a different place
A different time,
Comes with empathy
I am urged to stop.
I look up in despair
I see a nod of the stranger’s head
Like a friend
A smile
A pressure of the hand
Now resting on my shoulder.
I stop, I look but
I brush off the hand
And continue the rapping.
A friend?
I don’t need a friend.

Dhaka
29th January 2015

© S M Shahrukh and Traces of Orange, 2015

IN DEBT

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Some would call it a life of depravity, some would call it a life under an evil sun but he just lived and gave in to ‘pleasures’ of the bottle and philosophy in response to the pain he felt, a life unto death, the candle burning at both ends, at least the last twenty years of it.

He had a happy childhood and a good enough start to adulthood but pressure did not drive him to fight back but he felt like a bullied kid when he should have acted like an adult. Instead of measured steps to counter adversities he threw a tantrum, a response contrary to the norms followed by most others. He finished his studies, rather abruptly, and dived into a life that required the expertise to deal with the usual ways of earning a livelihood, he failed miserably, if not totally. He got married, became a father but loved no one but the bottle. Smoking three packs a day he hit the bars at every opportunity and sometimes created opportunities at the expense of a ‘normal’ life.

He went to his workplace and had to deal with people, people of various types, people who almost never spoke his ‘language’ and people who knew what went where after one opened the construction set of a ‘plaything’ called life. He drank and drank and sometimes daylight told him it was time to go to work. With bloodshot eyes, reeking of booze, he could barely stand up straight. If he managed to get dressed and go to work, he would nurse a hangover all day, thinking about a chilled beer that would stop the throbbing head from exploding, or feeling the need for a shuteye in the middle of the day for stopping the bulging eyes from popping out. With a raging hangover came actual rage and people who fell on the crosshairs of his diatribe marked him instead in theirs for life. Amiable at times of sobriety he let go of volleys of radical judgments and oaths at people when suffering still, if not from a hangover but the counter-culture philosophy that had based firmly in him over the years. His wife loved him though, through thick and thin, even when he was drunk and blinded enough to run into a glass door or woke up at the end of a bender in the middle of the night and demanded food.

He became a father and only saw the little boy one day standing and then a young boy of changing heights and when he was forced to leave the bottle because of a freak event, he found him a boy of fourteen, an alien but made of his own flesh and blood; an estranged son who had only two feelings for his father – fear and hate. He also found his life in total shambles and whatever he had had once, gone like pee leaves the bladder after a hearty drinking session. His wife still loved him though.

He stayed sober and tried a new approach to life. He found people more unbearable than the drunken days, his rants in public started coming back. People didn’t fight back after a radical lecture from him, too aware of the hypocrisy that dictated their own lives. He started again and this time he drank till his last breath or penny, he ran out of breath first. At the point of departure, he felt rapture, a relief at last, from a world he had come to loathe with the passion of the righteous. He was leaving it without wealth, without a loving progeny or a host of grieving friends but he didn’t care. But on his dying seconds, he looked at his wife and saw sparkling beads of love in her watery eyes and realized that he was loved till the very end, loved still by the person that mattered most. He desperately wanted to cling to life. He died, a man in debt.

Dhaka
28th January 2015

© S M Shahrukh and Traces of Orange, 2015

 

BANGLES

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The dull drab life
we make life a monochrome
when we are colorblind.
And bangles make a sound,
clink, clink, it’s music.
A symphony of life lived in colors.
Pause and the colors will blind you
and you would never want to see
anything but the dancing bangles
and the henna
that adorns a woman’s hands.
Life dances with her rhythm.
And Lennon sings,
‘Life is what happens to you
while you’re busy making other plans’.

Dhaka
24th January 2015
© S M Shahrukh and Traces of Orange, 2015

 

“Rambling – I got mean things on my mind”

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Fire water, oh yeah
A drink from the highlands.
Bitter?
So what?
Kills the pain
Temporarily at least,
Isn’t that what we want?
Yea, yes, of course
Burning stomach
Numbed blood stream
Ahh….
Fuck the pain
Fuck the resolve
Fuck the counter.
Fuck the accountants
Keeping tab.
‘Walk the bloody straight line’
Well, fuck the line, fuck anything straight
Fuck the world
In its all-consuming glory!
Fuck fuck fuck, please do.

My world
Relieved of
The transience
Of relentless sobriety.
Life is beautiful!

Walk the streets
See the squalor
See the human
Made inhuman
By the greed for more
And more and more
The never ending more.
How much more do you want?
Enough to make a movie on?
Stealing lines from Morrison?
Who the fuck knows him anymore?
It’s a world of dogs
But the dogs are fine.
People eat people!

A drink of whisky
Or two
Relieves the pain
Takes you out of the optimism
The drug fed to the masses.
Drink your syrups
Wear your clothes
Buy your meds
Hooked?
Meds for that too.

When your soulmate proves
Neither a soul nor a mate,
You slash your wrists
And believe in what?
I wonder.
Wonder, wonder, wonder…..
An afterlife?
A lover of no deceit?
A world of no discord?
A world without Nixon?
A world without rape?
A world without leeches?
A world full of flower people?
A world of counter culture?
A world of the dead?
Walking talking making laws?
Ha ha………
What a stupendous trip it was
And still is
And will remain
Fuck the world!

Keep dreaming, my friend.
It’s the world
And that’s all there is
And
There ever will be,
For ever and more.
‘Motherfucker’
As Hank Moody had said
Before he breathed his last.

Dhaka
21st January 2015

© S M Shahrukh and Traces of Orange, 2015

Almost Midnight

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It was late at night
the world in silence
tick tock
a light hum from the fluorescent lamp
my mind was in turmoil
as a shot rang out.
The loud report, muffled,
became a knock on my door,
a knock that shattered my life
the world back to silence.
It was a quarter to midnight.

Two decades since that
dark night of earth shattering silence
I still hear the knock
I open my eyes
sleep plays hide and seek.
It’s always a quarter to midnight.

A man used to the drunken haze
lay confused that night
over two decades ago.
No booze in the system
the clarity of sobriety
frightening
as an owl is frightened of the sun.
A brain verging on insanity
found a friend in the trigger,
squeezed it hard.
A thin trickle of red
gently rolling down his temple
soaking the grey black hairs
that still remained
into a deep color of pain.
It was a quarter to midnight.

What was in the bullet
that went out your temple?
Your brain?
Your pain?
A release from the world?
A life, I tend to think
and it was not yours.
A life of pain began
as another ended,
your escape matched
the time of my loss,
my loss of freedom,
life always stuck
the clock stopped
the hands at right angles
nothing right though
about my life
since…..
It’s always been a quarter to midnight.

Dhaka
20th January 2015

© S M Shahrukh and Traces of Orange, 2015

CAGE

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Iron bars around me
Iron bars, cage like
Encloses me
Flapping wings
Clipped
Bars not of iron
Invisible to the naked eye
But
As real as the sun is bright.

Way way back
The bright sun
Made Icarus fall
Fleeing Crete made impossible
Too close to the sun.
Daedalus warned when
He gave the wings
Not too close to the sun, son.
But Icarus got greedy
Flew close to the sun
Wanted to glow in the glory,
The glory short-lived
Spelled doom for me.
My Daedalus didn’t fly off
But jumped
Fell from the cliff
Tired of the labyrinth.
Should I have followed
His flight?
My flight brought me back
Back to cage
Bars not of iron
Invisible to the naked eye.
Smart man my Daedalus!

Dhaka
15th January 2015

© S M Shahrukh and Traces of Orange, 2015

WINTER MORNING

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Morning in full glory
Sun shining bright
The world in the splendor of gold.
Summer is all you feel
When you are young,
Not a care
No hurdle too tall
No water too deep
The waves of the ocean
Just a horse ride to your arms.

I came to you
With the vigor of youth.
So my hair is gray
I have wrinkles on my face
Crow’s feet adorn my eyes
Aching knees and feet
But
My heart burns
With the scorching sun
Of summer
Of bright yellow
Of a world without care.

But alas!
I find you in a gray winter morn
Walking on a foggy park
Trees in silhouette
No green
No red
No yellow
A hollow gray is all they show.
The landscape submerged
In the gloom of winter
No definite shapes
All in a sea of haze.
When did you lose your summer,
I wondered as I walked off
Feeling old
A chill in my bones
The fire in my heart
Now a pile of cooling embers.
The sun has lost its way
In the maze of the gray fog.

Dhaka
14th January 2015

© S M Shahrukh and Traces of Orange, 2015

 (Photo Credit – Tahera Jabeen)

WHERE ART THOU?

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People dying everyday
in the townships of Gaza
in the offices of Paris
in the hills of Chittagong
in the schools of Peshawar
on the streets of the city that never sleeps.

Maimed, raped, butchered
in the sandy dunes of the Middle East
in the remote corners of Africa
in the Nigerian hinterland
in the market place
in prayer halls
in the dining room
where a family is saying grace
to You
before a meager meal.

All around people
in desperate plea, look up
on bended knees
hands clasped
looking for mercy
seeking Your grace.

How many children to be raped?
How many heads to roll
on the dirt of Your world
making a red line of insane fury?
How much blood will sate
Your unquenchable thirst?
How many widows do You want?
How big a paradise do You have?
Is there a hell at all?
Is the world Your mockery?
A taste already of hell?
Rancid is the taste of the world,
putrid is the look of this hell
fetid is the smell of Your playfield.

The faithful still sit with eyes in search
a hope, a prayer, a call for mercy.
Where, pray tell, please
O Supreme Being of the universe,
Where art Thou?

Dhaka
13th January 2015

© S M Shahrukh and Traces of Orange, 2015

THE SHOP WINDOW

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A gentle walk in the winter evening, dim city, sparse traffic, holiday evening. Not that cold but cold enough to require warm clothes. Invariably he starts to sweat as he walks past the shivering old beggar, old bones feeling the chill. Walking past the woman selling bhapa pittha, bluish fumes accompany the sweet aroma of jaggery, past the vendors, selling what-not, colorful jackets for mobile handsets to regular jackets of synthetic leather, both cheap enough for the passerby to have a looksy and get a feel and start a bout of haggling. Maybe, someone will don a new jacket the next morning, or maybe his mobile will, or both.

He comes to a well-lit avenue. Bright shops line the pavement. Shoes, glassware, kitschy decoration pieces, paintings by anonymous wannabes, he has seen them all before. Boredom. He misses his chair at home. Lazy languorous stare at the screen of the world gone mad. Sometimes he thinks that he is dreaming and the dream is a nightmare called life. Deep sighs follow.

He trudges on and feels a depression settling on him like soot on a chimney, gray even black. He gives a side glance to a bright shop window, a store full of women’s clothes, bright colors sparkling in the artificial brightness in the surrounding dark evening. Suddenly, he stops dead on the spot in front of the window. A bright sunshine yellow chiffon sari, the lady wearing a matching blouse that has the lowest cut imaginable, a black strap trying to peep. Her neck and her back, my sweet Lord! He gets out from his gloom at the speed of light. What a beautiful sight! The slender frame, full of grace in movement, is asking about a dress on display. Half smile on her face, she is tall. The middle-aged shop assistant is short and looks up at her as he mumbles something. She turns on a whim to a different display. The loose end of her sari brushes the short middle-aged man, a sweeping touch on his chest, his neck, almost his face. He gets a whiff of her soft seductive perfume. The shopkeeper looks up at the false ceiling, that is the closest thing to a sky he has available. A look, a plea at divinity, it seems. He looks at the short man and sees him sigh. “Take me, take me now, O Lord, life can only be downhill from here.”

Dhaka
10th January 2015
 
© S M Shahrukh and Traces of Orange, 2015